Before you buy a new DSLR camera there are plenty of reasons
to consider a D-SLR. These advanced shooters feature larger image
sensors, superior optics, robust manual controls, faster performance,
and the versatility of changeable lenses.
All this added functionality
doesn't come cheap, though, as the cost of a D-SLR can add up,
especially when you start buying lenses. And the cameras are
understandably larger and heavier than their compact and mirrorless
interchangeable lens counterparts. You also need to remember that you're
buying into a camera system.
If your first D-SLR is a Canon, chances
are that your next one will be as well, simply for the fact that you'll
be able to make use of existing lenses and accessories. Here are the
most important aspects to consider when you're shopping for a digital
SLR:
Understanding Sensor Size
Most consumer D-SLRs
use image sensors that, while much larger than those found in
point-and-shoot cameras, are somewhat smaller than a 35mm film frame.
This can be a bit confusing when talking about a camera's field of view,
as focal lengths for compacts are often expressed in terms of 35mm
equivalency. The standard APS-C sensor features a "crop factor" of 1.5x.
This means that the 18-55mm kit lens that is bundled with most D-SLRs
covers a 35mm field of view equivalent to 27-82.5mm. If you're upgrading
from a point-and-shoot that has a 3x zoom lens that starts at about
28mm, the D-SLR kit lens will deliver approximately the same field of
view.
There are many inherent advantages to a larger sensor. It allows you
to better control the depth of field in images, making it possible to
isolate your subject and create a blurred background. This blur is often
referred to by the Japanese term bokeh. Much has been written about the
quality of the bokeh created by different lenses, but the general rule
of thumb is that the more light a lens can capture—measured numerically
as its aperture, or f-number—the blurrier the background can be. A lens
with a maximum aperture of f/1.4 lets in eight times as much light as
one of f/4, and can create a shallower depth of field at an equivalent
focal length and shooting distance.
Another reason to go for the big sensor is to minimize image noise. A
14-megapixel D-SLR has much larger pixels than a point-and-shoot of the
same resolution. These larger pixels allow the sensor to be set at a
higher sensitivity, measured numerically as ISO, without creating as
much image noise. Another advantage to the larger surface area is that
changes in color or brightness are more gradual than that of a
point-and-shoot. This allows more natural-looking images with a greater
sense of depth.
Some higher-end D-SLRs, like the Canon EOS 6D
feature sensors that are equal in size to 35mm film. These full frame
cameras are much more expensive than their APS-C counterparts. If you do
see yourself moving up to a full frame camera in the future, be careful
in buying lenses. Some lenses are designed to be used with APS-C
sensors. Canon refers to its APS-C lens line as EF-S, while lenses that
cover full frame are EF. Nikon takes a similar approach, calling APS-C
lenses DX and full frame lenses FX. Sony, the only other manufacturer
that currently offers a full frame D-SLR camera, adds a DT designation
to its APS-C-only lenses.
Choose a Camera That Feels Right
It's very
important to choose a camera that feels comfortable in your hands. While
most D-SLRs are similar in size and build, the styling of the handgrip,
position of controls, and other ergonomic features can differ
drastically. The camera you choose should be one that you are most
comfortable using. If a D-SLR is too big or small for you to hold
comfortably, or if the controls are not laid out in a way that makes
sense to you, chances are you won't enjoy shooting as much as you
should.
Get the Best Viewfinder
By definition, a D-SLR
features an optical viewfinder that shows you the exact image that the
camera's lens is capturing—but not all of these viewfinders are created
equal. A mirror directs light from the lens to the viewfinder, which is
one of two types. The first, the pentamirror, is generally found on
entry-level cameras like the Canon EOS Rebel T3i and Nikon D5200.
This type of viewfinder uses three mirrors to redirect the image to
your eye, flipping it so that it appears correct, as opposed to the
upside down and backwards image that the lens is actually capturing.
The second type of optical viewfinder is the pentaprism. This is a
solid glass prism that does the same job as the pentamirror. A
pentaprism is generally heavier and brighter than a pentamirror. The
extra brightness makes it easier to frame images and to confirm that
your photo is in focus. Pentaprisms usually start appearing in mid-range
D-SLRs, like the Canon EOS 60D, and are standard issue on pro bodies like the Nikon D4. The Pentax K-30
is the lone entry-level model on the market to feature a pentaprism
with 100 percent coverage; that affordable camera also boasts full
weather-sealing for use on rainy or snowy days.
You should also pay attention to magnification and coverage numbers
for pentaprism finders, as they give you an idea of the actual size of
the finder and how much of the captured image can be seen. In both cases
you'll want to look for a higher number.
Another Option: The EVF
A few cameras on the
market offer a third viewfinder option—an electronic viewfinder. Sony
cameras that feature fixed, translucent mirrors, like the Alpha 77,
are referred to as SLTs. Rather than redirecting light to your eye, the
semi-transparent mirror in these cameras redirects it to an autofocus
sensor. If you aren't set on an optical finder, these cameras are worth
considering. Even Sony's flagship full-frame Alpha 99 uses an OLED EVF, eschewing the glass pentaprism found in other full-frame SLRs.
Continuous Shooting and Autofocus Speed
D-SLRs have another big advantage over point-and-shoots—speed. The time
that it takes between hitting the shutter button and the camera
capturing a picture, referred to as shutter lag, and the wait time
between taking photos—recycle time—are often concerns with compact
cameras. D-SLRs generally focus very quickly and deliver shutter lag
that is nearly immeasurable.
Continuous shooting is measured in frames per second. At minimum, you
should look for a camera that can shoot 3 frames per second, although
sports and nature shooters will want to look for a camera that can shoot
faster than 5 frames per second. Of course, the autofocus system has to
be able to keep up with the frame rate. Basic D-SLRs like the Nikon D3200 often
only have a few autofocus points, which can slow performance.
Continuous shooting and autofocus performance go hand-in-hand, so it is
important to look for a camera that does both well.'
Live View and HD Video
Video recording, which was unheard of for D-SLRs prior to the release of the Nikon D90
three years ago, is now a standard feature. When shopping for a D-SLR,
look for one that continues to autofocus while recording. You should
also check its autofocus speed when taking photos using live view, as
that can often be very slow. A microphone input jack is important if you
plan on using the video function often—an external mic will capture
much better sound than the camera's built-in microphone.
Be Realistic about Lenses and Accessories
Most
first-time D-SLR users aren't going to purchase a whole bevy of lenses,
but there are a few to consider to supplement the kit lens that ships
with the camera. The first is a telezoom to complement the standard
18-55mm lens. There is usually a matching zoom, starting at 55mm and
ranging up to 200mm or 300mm, that will help you get tighter shots of
distant action. Plan on budgeting $200-300 for this lens.
Another popular lens choice is a fast, normal-angle prime lens.
Before zooms were popular, film SLRs were often bundled with a 50mm f/2
lens. Because of the smaller sensor in consumer D-SLRs, a 35mm f/2 is
the current equivalent. The normal-angle gives you a field of view that
is not far off from that of your eye, and the fast aperture makes it
possible to shoot in lower light, and to isolate your subject by
blurring the background of your photos. Prices for these lenses vary a
bit depending on your camera system, but expect it to run you between
$175 and $350.
Even though consumer D-SLRs have built-in flashes as a rule, many
photographers opt to use a more powerful external flash. These flashes
emit more light and can often be repositioned so that you can use
reflected light to illuminate a subject. Bouncing flash off of a ceiling
to brighten a room is possible with a dedicated flash unit, but not
with the ubiquitous D-SLR pop-up flash. Depending on your needs for
power, recycle time, and movement, dedicated flash units can cost
anywhere from $150 to $500.
Is a D-SLR Too Big?
Want speed and top-notch images, but don't want to haul a heavy D-SLR? You may also want to consider a Compact Interchangeable Lens (CILC) camera, like our Editors' Choice Samsung NX300.
That camera packs the same APS-C sensor found in a D-SLR into a more
compact package, but it lacks an optical or electronic viewfinder—you'll
need to use the rear LCD to frame photos. This newer class of cameras,
which launched by Olympus and Panasonic with the Micro Four Thirds
standard, relies on live view rather than optical viewfinders. This
makes it possible to pack larger sensors into smaller bodies, giving you
many of the image quality advantages of a D-SLR without the added bulk.
You'll want to pay attention to sensor size, as they vary between
formats—Micro Four Thirds cameras and the Nikon 1 system feature sensors
that are smaller than those in a D-SLR, and the tiny Pentax Q10
uses a point-and-shoot-sized image sensor, but adds the benefit of
interchangeable lenses. You won't save a ton of money on a CILC, as
current models are priced between $500 and $900. But if you're willing
to skip the traditional optical viewfinder, a mirrorless camera might
strike the perfect balance between point-and-shoot and digital SLR.
If you do opt for a D-SLR, following our guidelines will help you to
choose the camera and lens system that fits your needs and your budget.
Just be sure to take time and research your purchase, and go to the
store and pick up a couple of cameras to see which feels best. Finally,
check out The Top 7 Best DSLR Cameras
Ref : http://www.pcmag.com/article2/0,2817,2348992,00.asp
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